Karyn Lim


Metal is generally thought of as a harsh and heavy material. In another form, drawn into flexible fine wire, it can be woven to produce sheer and light volumes. These organic forms seem to come from another world, or perhaps from the world we used to know. They might resemble meditative elements in nature; bouyant bubbles, mystery mushrooms, stacking stones.

Suggested uses: primarily as a decorative object, they could be a place for light precious items, or a perch for small air plants.

karynlim.com

 

Wire vessel — 1 (handwoven copper wire)
Lightness of Being collection

Wire vessel — 2 (handwoven copper wire)
Lightness of Being collection

Wire vessel — 3 (handwoven copper wire)
Lightness of Being collection

Wire vessel — 4 (handwoven copper wire)
Lightness of Being collection

Wire vessel — 5 (handwoven copper wire)
Lightness of Being collection

Wire vessel — 6 (handwoven copper wire)
Lightness of Being collection

Wire vessel — 7 (handwoven copper wire)
Lightness of Being collection

Wire vessel — 8 (handwoven copper wire)
Lightness of Being collection

Wire vessel — 9 (handwoven copper wire)
Lightness of Being collection

Wire vessel — 10 (handwoven copper wire)
Lightness of Being collection

Wire vessel — 11 (handwoven copper wire)
Lightness of Being collection

Wire vessel — 12 (handwoven copper wire)
Lightness of Being collection

 
Jeremy Smart

Based in Tokyo, Jeremy Smart is the co-editor-in-chief of Design Anthology, overseeing the magazine’s global editorial strategy and creative direction. He is recognised as a leading voice on design, culture, travel and urbanism in Asia Pacific, with a perspective shaped by years living and working in Tokyo, Hong Kong and Melbourne. He has written for publications including The Sydney Morning Herald and Nikkei Asia, and produced photojournalism for The Guardian and Al Jazeera. He also speaks at and moderates conferences, summits and events around the world.

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